Autumnal Notes
30 October 2016
Here at Carlton Towers, we are having a glorious Autumn so what better way can there be to mark this time of year than the wild blackberry and thus with this article on Carlton Ware's BLACKBERRY range.
Carlton Ware's fruit and floral embossed ranges were extraordinarily popular. Throughout the 1930s and beyond, the pottery introduced new ranges on an annual basis. These attractive and skillfully modelled wares stem from the LETTUCE & TOMATO shapes devised by Enoch Boulton in the 1920s. They usually depended on a close collaboration between the designer and modeller.
During the later part of the 1930s, Cuthbert Wiltshaw engaged the services of a Frenchman to design new shapes for the pottery and who was responsible for the BLACKBERRY range. Designers Violet Elmer and Betty Wiltshaw remember him visiting the works but could not recall his name, so the moniker, "The Frenchman", as adopted by those at the Carlton Works, stands until he is identified.
Ronald Hopkinson modelled the BLACKBERRY range, working from "The Frenchman's" drawings - they did not meet. Much is clearly influenced by the style we now call Art Deco, as the asymmetric and geometric shapes testify. No doubt, since France is regarded as the key initiator of the style, "The Frenchman" will have been more than familiar with its forms.
Carlton Ware introduced BLACKBERRY at the British Industries Fair at Olympia in London in February 1938. The BIFs were important showcases for the pottery and glass industries. They were patronised by the Royal family and indeed, in 1938, Queen Mary bought examples of BUTTERCUP , another Carlton Ware floral embossed range. A Royal purchase usually led to increased sales.
Below is an infographic showing a selection of BLACKBERRY range. Aficionados will know that Carlton Ware cleverly used the same shapes for its RASPBERRY range, which had a pink ground and raspberry coloured fruits.
Anyone for some blackberry and apple crumble, served up in a BLACKBERRY dessert bowl? ❑
© Harvey Pettit 2016.